Sai Pallavi, who plays the guest lecturer Malar, threatens to steal the show. A rich, college boy pleads to return the logo of his Mercedes car which he finds missing and a waiter cleaning the floor unabashedly guides a girl to his shop warning her of water at every step. The lover confuses letters in Malayalam script to write the word ‘orange’ in his love letter and finally gives up. Alphonse adorns his narrative with a spread of cute, lovely humour. Nivin progresses along these transitions beautifully, switching from goofy impulses to heartfelt musings, from an ever-smiling, bright-faced teenager to a bearded youth with glaring eyes and eventually a baker with a burning temper. The professed wisdom that comes with age makes him keener, eager for love, but also more sensible and he delivers it with a mature heart. When he later finds love as a youth, he is assured – not afraid to tell his teacher that she is beautiful and adding that he was not drunk as he said it. The absent-minded teen even messes up his first love letter likening her lover to sardine fry just because he lost his attention while composing the letter as his mother had asked which fish he wanted for lunch. As a teenager, George is nervous, scared, unsure of his love, dabbling in vague ideas to present himself before the girl he loves. Premam never attempts anything profound, but gradually shows the varying grip of a man over love and life. Nivin has managed to dilute the ignominy with sugary innocence in such a way that Romeos do not evoke mean contempt but good hearted laughter. People look down upon such shameless Romeos who do nothing but follow the trail of the girl they love.
He is assigned a special task these days – to elevate the perception of what is usually considered harmless but a lowly manner of drooling over girls. Nivin Pauly plays George David who courses along love as he grows up from a teenager to a man. Alphonse Putharen weaves his new film ‘Premam’ mostly around the spontaneity of love, its freshness, the split second that shatters the vows hardened over years and sometimes its triviality, the aspect that enables someone to let go and move on. One never gets tired of it, no matter how devastating the side effects. Perhaps the most wonderful trait of love is its inexhaustibility. Review: Boys and invariably men just relish the labour of love – the pain it takes to woo a girl, her first glance which would send his pulse shooting like a meteor, her illusory smile that would freeze him as though in a photo frame. The film transcends its viewers on perspectives and boundaries of love.Story: Premam narrates the love affairs of George David from his pre-degree days, portraying the varying grip of a man over love and life. This slow metamorphosis of his love, his attempt to woo his lovers, the abrupt failures hardens him but he finally is able to settle down for life with someone much younger, whom he have met during childhood. This dream seems to be within reach during his school days, then, for a second time during his college days and yet it fails to materialize. Storyline, George, a teenager, loves the idea of being in love. Stars: Nivin Pauly, Sai Pallavi, Madonna Sebastian
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